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Dark Angel
[Blu-ray]
Blu-ray A - America - Shout! Factory Review written by and copyright: Anthony Arrigo (30th August 2013). |
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The Film
 “I come in peace.” “And you go in pieces, asshole.” Chances are, if you’re able to recall anything about director Craig R. Baxley’s 1990 buddy cop/alien drug dealer action flick “Dark Angel” - more commonly known here in the States as “I Come In Peace” - it’s that exchange of dialogue. But, really, there’s much more worth remembering (and revisiting) now that Shout! Factory has finally given the film a proper release. Roughshod-cop-versus-alien films were in vogue for a few years after “Predator” (1987) became a hit, paving the way for films like this and “Split Second” (1992, and also in dire need of a remastered home video release). Baxley, who hails from a family of veteran stunt actors, put a great deal of effort into the film’s action, maximizing the paltry $5 million budget he had to work with so well that it looks like it was shot for $20 million. The resulting film is a unique mix of buddy cop, mobster, and sinister alien visitor sub-genres that somehow manages to steamroll through 90 minutes without any noticeable lagging. Dolph Lundgren stars as Houston cop Jack Caine, the kind of guy who works out of his car and survives on little food and less sleep. When a drug sting goes wrong, leaving his partner dead, Jack is paired up with straight-laced FBI agent Arwood “Larry” Smith (Brian Benben) to bring down the White Boys, a group of white collar criminals who control the city’s drug trade. The group is led by Caine’s old foil, Victor Manning (Sherman Howard, best known to horror fans as “Bub” from 1985’s “Day of the Dead”), who blames him for stealing their supply of heroin. But it isn’t Caine Manning should be worried about because the heroin is being used by Talec, a massive, hulking humanoid, as a means to extract endorphins from victims around the city. A spiked tube on his wrist pumps his targets full of heroin, at which point endorphins are released in the brain just as he slams a giant vacuum tube into their heads, sucking them dry. On his trail is an interstellar police officer who tells Caine and Smith that on their planet our endorphins are sold on the black market as a powerful drug. Armed with this knowledge, and a couple of big-ass alien handguns, the two set out to destroy Talec before he annihilates all of Houston. First off, gotta say I find it very odd that Shout! has chosen to release this film under the international title (which was also used during production) of “Dark Angel”. While I applaud the geeky lengths they go to in an effort to please fans, releasing a film with a known title under its relatively unknown name isn’t likely to bolster sales. When I informed one of my friends that “Dark Angel” was coming out on Blu-ray, he had no clue what movie I was referring to. Once I mentioned its more common moniker, he was instantly excited. Point is, how can those people be reached if they aren’t familiar with the title it’s being sold under? Only the nerdiest fans are aware of this alternate title. Short rant there, but it’s just a bit puzzling. Plus, let’s be honest here, “I Come In Peace” sounds way cooler, while “Dark Angel” sounds like the kind of safe, generic title a producer would give it. One thing the film can’t be faulted for is a dearth of action. Baxley put forth all of his cinematic magic, and years of honing his craft as a stuntman, to produce action that is on-par with any big-screen tentpole audiences could have seen that year. It is truly unremitting, and by the end of the picture you’ll likely feel as fatigued as the two leads. Anything that looks like it could explode in this film, does. Buildings, cars, and people are all annihilated with extreme prejudice, but, man, does it look glorious on screen. Baxley allows the film to really showcase his work, with lots of wide shots and unique camera work to heighten much of the action. Talec, the film’s Evil Alien, use a CD-looking disc that hones in on human frequencies to slice up many of his victims. But rather than having someone off-screen toss a disc at someone as they fall holding their throat, the camera is “mounted” to the disc, taking us along for the ride as jugular after jugular is shredded. Every explosion in the film is massive, and if you actually consider how much of downtown Houston was being destroyed in the film it’s a wonder the military wasn’t called in. Also, those aliens have huge guns and everything they shoot acts like it was wired with C-4. Like any good buddy cop film, our two leads appear horribly mismatched at first. Dolph’s character is the top cop who doesn’t play by the rules. We’ve all seen this guy a thousand times. Brian Benben is the stereotypically uptight, staunch FBI agent who adheres to the rulebook like it’s scripture. And, of course, they eventually come to a mutual understanding right when they have to. All of this is nothing new, but these two guys just have good chemistry. Not every odd cinematic pairing feels genuine. Maybe I’m being a tad biased because Benben’s breakout role on HBO’s “Dream On” (1990-1996) was one of my favorites growing up, and here he’s teamed with Ivan Drago, but I doubt I’m alone here. If there’s any complaint about the film, it’s the mostly-pointless White Boys subplot. Yes, it’s kinda funny that there’s a gang of white collar dicks stealing heroin from the cops and blowing up anyplace Caine is spotted, and they’re led by Bub. But it goes nowhere. The only reason for its existence is to give our Evil Alien a place to acquire the large amount of heroin he needs to drug humans. Creating an organization and tying it in to Caine’s partner being killed seems like an obvious and understandable scripting point, but then it just sort of trails off and the film ends with no clear resolution despite the White Boys constantly popping up as a threat. Whatever you want to call the film (but, seriously, we all know everyone is flipping over that reversible cover art as soon as it’s out of the shrink wrap to display “I Come In Peace”), Craig R. Baxley delivered a wildly entertaining, often brutal ride that is finally getting the release it deserves. Matthias Hues is in full-on creep mode as the 6’5” alien drug dealer, Lundgren & Benben have a believable chemistry to keep their relationship interesting, and there’s something or someone being blown up or horribly dispatched every 10 minutes. It’s got all the trappings of the early-90's cult classics genre fans can’t get enough of.
Video
Arriving in hi-def for the first time, “Dark Angel” sports a very clean looking 1.78:1 1080p 24/fps AVC MPEG-4 encode. The print used for this picture was clearly left in good shape thanks to a recent remaster from MGM for their burn-on-demand Limited Edition Collection DVD. There’s a healthy layer of grain left intact, with no signs of any DNR being used to shine things up. Colors have a bit of pop to them, and skin tones look natural and lifelike. Black levels tend to dominate when light sources are scarce, leaving some of the image to be lost to the shadows. Shades of blue are most often used in many scenes, giving the palette a steely appearance. The lack of tinkering with the image, coupled with a pristine print, really helps the film maintain a natural HD look.
Audio
The back cover erroneously states there is just a stereo track, but in reality the film features an English DTS-HD Master Audio 5.1 surround sound track (48kHz/24-bit), as well as an English DTS-HD Master Audio 2.0 stereo track. Truthfully, the film has a limited range to the soundscape, with very little activity given to the rear setup. Composer Jan Hammer’s score is pulse pounding, with lots of synth elements that are reminiscent of his work on “Miami Vice” (1984-1990). Dialogue sounds clear and free of any anomalies, although the levels could have been boosted just a touch. Subtitles are included in English.
Extras
Aside from a featurette, there isn’t a whole lot to talk up here aside from the theatrical trailer and an image gallery. “A Look Back at Dark Angel” (1080p) is a featurette that runs for 24 minutes and 19 seconds. Director Craig R. Baxley is interviewed, as well as stars Dolph Lundgren and Brian Benben. Baxley has the most to say about the film, and he’s brimming with enthusiasm for his work. The guy was clearly very exciting to be handed the project, which he certainly made the most out of with so much on-screen action. I’m amazed he didn’t record a commentary for this release. Lundgren and Benben both share some fond memories of shooting the film, but it’s really Baxley’s participation that makes this such an interesting piece. The film’s theatrical trailer (1080p) runs for 2 minutes and 43 seconds. Finally, a poster & still gallery (1080p) runs for 4 minutes and 6 seconds, showcasing various behind-the-scenes shots, lobby cards, and poster art.
Packaging
The single disc comes housed in a Blu-ray keep-case. The cover art is reversible, so you can display either the “Dark Angel” title, or “I Come In Peace”.
Overall
This movie is FUN. Baxley makes the most of his small budget and produces a film that feels bigger than it should. Lundgren and Benben both turn in solid performances, and the film’s evil alien bad guy is truly menacing and imposing. Shout! has put out a killer Blu-ray that should please fans of the film who have been waiting for it to get the proper treatment on home video.
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