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  • Extras:
    DISC ONE
    *The Film - Theatrical Cut (81:21, 1080i60)
    *The Film - Festival Cut (85:19, 1080i60)
    *The Film - Theatrical Cut from 35mm (81:21, 1080p24)
    (1) Audio Commentary on both theatrical cuts by film historians Alexandra Heller-Nicholas and Josh Nelson (2024)
    (2) Audio Commentary on both theatrical cuts by writers and directors Daniel Myrick and Eduardo Sánchez and producers Rob Cowie, Greg Hale and Mike Manello (1999)

    DISC TWO
    "The Blair Witch Documentary" 2024 documentary (150:20)
    "The Blair Witch Project: Analogue Horror in a Digital World" 2024 visual essay by film historian Mike Muncer (11:29)
    Deleted Scenes (91:44)
    Alternate Endings (8:01):
    - "Corner (Backwards)"
    - "Corner (Forwards)"
    - "Hanging"
    - "Levitating"
    "Curse of the Blair Witch" 1999 TV Mockumentary (43:53)
    Cannes 1999: Archive Directors' Interview (10:51)
    3 Trailers (2:35)
  • Subtitles:
    English HoH (all versions)
  • Aspect Ratio:
    1.37:1
  • Picture Format:
    1080i60 AVC MPEG-4
  • Soundtrack(s):
    English DTS-HD Master Audio 2.0 Stereo (all versions)
  • Case type:
    Special Case
  • Notes:
    The first two cuts are presented via seamless branching and are reconstructed from Hi8 video and 16mm film elements and are presented in 1080i60 (the new restoration was finished in 59.94i with interlaced Hi-8 and 3:2 pulldown added to the 23.976 film parts).
    The 35mm presentation is the previous Artisan master presented in 1080p.
    Comes in a rigid slipcase with new artwork by Timothy Pittides, a 184-page hardback book with archive production materials and new essays by Stacey Abbott, Becky Darke, Adam Hart, Craig Ian Mann, Mary Beth McAndrews, Dr. Cecilia Sayad, Pete Turner and Heather Wixson, "Heather's Journal", and three collectors' art cards.
  • Easter eggs:
    After the deleted scenes, there is an assembly of 16mm B-roll (16:08).

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