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Earrings of Madame de... (The) AKA Madame de... (1953)
It was her vanity that destroyed her.Director: Max Ophüls
OVERALL: R1-
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Commentaries:Audio commentary by film scholars Susan White and Gaylyn Studlar
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Extras:Introduction by filmmaker Paul Thomas Anderson (14:27)
Interviews with Ophuls collaborators:
- Alain Jessua (25:27)
- Marc Frédérix (8:12)
- Annette Wademant (6:49)
A visual analysis of the movie by film scholar Tag Gallagher (17:19)
Interview with novelist Louise de Vilmorin on Ophuls's adaptation of her story (4:44) -
Subtitles:English (optional)
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Aspect Ratio:1.33:1
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Picture Format:Non-Anamorphic
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TV System:NTSC
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Soundtrack(s):French Dolby Digital 1.0
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Case type:Keep Case
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Notes:Comes with a liner notes booklet featuring a new essay by Molly Haskell, an excerpt from costume designer Georges Annenkov's 1962 book Max Ophuls, and the 78-page source novel, Madame de, by Louise de Vilmorin.
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Extras:Video Essay by Tag Gallagher (17:22)
Bonus Trailers -
Subtitles:German
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Aspect Ratio:1.33:1
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Picture Format:Non-Anamorphic
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TV System:PAL
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Soundtrack(s):French Dolby Digital 2.0 Mono
German Dolby Digital 2.0 Mono -
Case type:Digibook
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Notes:Digibook comes with 12 pages of booklet.
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Extras:"Working with Max Ophuls" interview with Alain Jessua (25:46)
Video Essay by Tag Gallagher (17:26) -
Subtitles:English (forced)
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Aspect Ratio:1.33:1
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Picture Format:Non-Anamorphic
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TV System:PAL
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Soundtrack(s):French Dolby Digital 2.0 Mono
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Case type:Keep Case
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Have you spotted a mistake in these specifications? If so, let us know via our forums. -
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CUTS:
- R1 America- Criterion Collection - No cuts (100:15 NTSC)
- R2 Germany- Arthaus - No cuts (95:55 PAL)
- R2 United Kingdom- Second Sight - No cuts (95:47 PAL)
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Comparison added by Eric_Cotenas on 12/07/13
Comparison last updated by Rob_Hunt on 15/02/23UPDATE LOG:
12/07/13: Initial entry.
Please ensure you read our disclaimer.
28/12/13: Corrected director's name.
04/01/14: Fixed a typo.
13/06/19: Corrected running times.
14/02/23: Updated title.
15/02/23: Added German release, dates. Corrected overall.
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