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Crossing the Bridge: The Sound of Istanbul (2005)
The city that bridges Europe and Asia, and challenges familiar notions of east and west.Director: Fatih Akin
OVERALL: Draw-
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Extras:Theatrical Trailer
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Subtitles:English (Burnt-In)
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Aspect Ratio:1.85:1
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Picture Format:Anamorphic
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TV System:NTSC
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Soundtrack(s):English/German/Turkish Dolby Digital 2.0 Surround
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Case type:Keep Case
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Subtitles:English and French
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Aspect Ratio:1.85:1
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Picture Format:Anamorphic
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TV System:NTSC
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Soundtrack(s):English/German/Turkish Dolby Digital 2.0 Surround
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Case type:Keep Case
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Have you spotted a mistake in these specifications? If so, let us know via our forums. -
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Extras:Interview with director Fatih Akin (15 mins)
Bonus Trailers -
Subtitles:Dutch
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Aspect Ratio:1.78:1
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Picture Format:Anamorphic
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TV System:PAL
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Soundtrack(s):English/German/Turkish Dolby Digital 5.1
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Case type:Digipak
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Notes:Interview in English with Dutch subtitles.
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Extras:"Under the Bridge" featurette (40:37)
"Shaving Hacke" featurette (19:10)
"Beyoglu Nights" featurette (4:32)
Music Videos (16:01)
- Sezen Aksu
- Baba Zula
- Ceza
- Mercan Dede
- Replikas
Theatrical Trailer (1:39)
Bonus Trailers
- "Favela Rising"
- "loudQUIETloud: A Film About the Pixies"
- "Meredith Music Festival" -
Subtitles:English
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Aspect Ratio:1.85:1
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Picture Format:Anamorphic
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TV System:PAL
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Soundtrack(s):English/German/Turkish Dolby Digital 5.1
English/German/Turkish Dolby Digital 2.0 Surround -
Case type:Keep Case
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Have you spotted a mistake in these specifications? If so, let us know via our forums. -
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OVERALL: Draw
The Australian release for the extras. However, the Holland release does have an interview with the director.
Other known releases
- United Kingdom by Soda Pictures -
CUTS:
- R1 America- Strand Releasing - No cuts - PAL -> NTSC.
- R1 Canada- Mongrel Media - No cuts - PAL -> NTSC.
- R2 Holland- A-Film - No cuts.
- R4 Australia- Madman Entertainment - No cuts (90:09 PAL)
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Comparison added by Matthew_B_Harrah on 06/11/21
Comparison last updated by Matthew_B_Harrah on 06/11/21UPDATE LOG:
06/11/21: Initial entry.
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