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Big Day (The) AKA Jour de fête AKA Holiday (1949)
Once a year the fair comes for one day to the little town of 'Sainte-Severe-sur-Indre'.Director: Jacques Tati
OVERALL: R1-
OVERALL: R1
The Complete Jacques Tati set for 3 versions of the film, the best set of extras and being English-friendly.
The following versions of the movie are known:
- The original 1949 black-and-white version (~79 mins),
- The alternate 1964 black-and-white version, including additional sequences with a new character (a painter), a few colorized shots, and a different soudntrack in which the story is told from the painter's point of view (~82 mins),
- The 1995 Thomsoncolor version - the film was shot by Tati simultaneously in B&W and the experimental Thomsoncolor but the firm went bankrupt and color prints could not be made by conventional means, so the negatives were not processed until 1995 (~79 mins). -
CUTS:
- R0 Australia- The AV Channel/Panoramic Films - No cuts. 1995 Thomsoncolor Version (76:36 PAL).
- R1 The Complete Jacques Tati America- Criterion Collection - No cuts. Includes the Original 1949 Version (87:13 NTSC), the 1964 Partially-Colorized Version (80:30 NTSC) and 1995 Thomsoncolor Version (80:10 NTSC).
- R2 France- Francinex - No cuts. Includes both the 1995 Thomsoncolor Version and the alternate 1964 Black-and-White Version. The 1995 colorized version starts with a short (0:56 PAL) sequence about the simultaneous color and black-and-white filming.
- R2 Special Edition Scandinavia- Future Film - No cuts. Includes both the 1995 Thomsoncolor Version (76:33 PAL) and the alternate 1964 Black-and-White Version. The 1995 Thomsoncolor Version starts with a short (0:56 PAL) sequence about the simultaneous color and black-and-white filming
- R2 United Kingdom- British Film Institute - No cuts. 1995 Thomsoncolor version (76:36 PAL), starting with a short (0:42 PAL) sequence about the simultaneous color and black-and-white filming.
- R2 Dual Format Edition United Kingdom- British Film Institute - No cuts. Includes both the 1995 Thomsoncolor Version (76:47 PAL) and the alternate 1964 Black-and-White Version (78:42 PAL), with English credits. The 1995 colorized version starts with a short (0:55 PAL) sequence about the simultaneous color and black-and-white filming.
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Comparison added by Samuel_Scott on 11/06/05
Comparison last updated by James-Masaki_Ryan on 06/01/18UPDATE LOG:
14/05/13: Addition of BFI Dual Format edition, of Beaver link and comparison clean-up.
Please ensure you read our disclaimer.
13/09/17: Addition of the Complete Jacques Tati set.
07/01/18: Updated title.
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