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Vincent_Bouche wrote:Mud (TV)
Great performance by all actors, especially but not only Matthew McConaughey, good moving story that never crosses the line, always the right tone - 8/10
Very disappointed with it; may have given it a 3 (or less)/10.Samuel_Scott wrote:Max Payne (UK Blu) - Some good visuals, and I like Mark Wahlberg and Mila Kunis, but the story was lacklustre. 5/10
Think I also gave it the same score when I watched it at the film festival. Decent mystery, but enjoyed its emphasis on the twin cultural aspects. Also recommended.Vincent_Bouche wrote:The Attack (TV) Great movie about a famous arab surgeon working in Israel and discovering his wife is involved in an attack - 7/10.
Have you seen what I consider to be a couple of his best - GROSSE POINT BLANC and HIGH FIDELITY ?Sculder wrote:Had a John Cusack day:
Interesting and quite amusing mini-review... Hadn't heard of it before now, but surely it's not as bad as SHARKNADO?Davy_Lee wrote:CONQUEST (First viewing, German dvd) - 6.5/10.....
Chris_Xa wrote:Have you seen what I consider to be a couple of his best - GROSSE POINT BLANC and HIGH FIDELITY ?Sculder wrote:Had a John Cusack day:
Generally agreed, also 6/10. Good cgi, direction and script based on the interesting premise of the graphic novel; production design looks ok but does not need a cinematic screen; somewhat let down by a lengthy first half that should have been edited a little, to improve pacing. References INDEPENDENCE DAY. Not as cliched nor as derivative as some think, nor a romantic action film.Vincent_Bouche wrote:Oblivion (TV) Mixed up bag of many things already seen elsewhere, pretty unrealistic, but quite efficient - 6/10
Agreed again, but don't find it outdated; prefer to think of it as "another telling/interpretation" of the tale. Much like the various revisions of the DC animated shows, where each has a variably different bent to the stories. But I also enjoyed #2 (Returns) better than the first for the more psychological aspects. Still, Batman 1989 is a great popcorn flick - up there with Superman 1 & 2.Vincent_Bouche wrote:Batman (UK Blu) A bit outdated, especially compared to the recent trilogy, but still much to enjoy! - 8/10
Chris_Xa wrote:Agreed again, but don't find it outdated; prefer to think of it as "another telling/interpretation" of the tale. Much like the various revisions of the DC animated shows, where each has a variably different bent to the stories. But I also enjoyed #2 (Returns) better than the first for the more psychological aspects. Still, Batman 1989 is a great popcorn flick - up there with Superman 1 & 2.Vincent_Bouche wrote:Batman (UK Blu) A bit outdated, especially compared to the recent trilogy, but still much to enjoy! - 8/10
One of the most memorable Mafia series I've seen is The Octopus (La piovra, http://www.imdb.com/title/tt0086779 , and its follow-ons obviously). Sure there's much melodrama there, but I can't remember many Italian films etc that don't have melodrama (part and parcel of the culture?)... Haven't watched the entire series and is on my to-finish-watching list, if I can find the whole lot.Vincent_Bouche wrote:Mafiosa: Season 5 (TV) Among the best, and probably the best, season of this French series about corsican mob, and in which the godfather is a godmother
Have not seen it yet (assume you're referring to the Lorre 1931ish german film?), but have always heard good things about it. Re sound, the best films use sound (or lack of) to accentuate what is happening on screen. Many films for me have been ruined by music that signposts what is coming, whilst others use lack-of-music to great effect; Gravity is a good example of the latter.Davy_Lee wrote:M (First viewing, YouTube) - 9/10
I have been on the fence about buying the blu-ray because this is an early sound film which, I thought, should have serious flaws in its sound design. I was wrong!
I like silent films but not early talkies, which is the reason why I haven't added M into my collection. Granted, M doesn't have any musical score to accompany the scenes, which I have always thought would bore the audience, but strangely the fact proves to be the opposite. I was glued to the screen for almost the entire run time. Another surprising aspect of M is that, despite having a very serious theme, it is peppered with light humour in many of the scenes.
Initially, I was curious to find out why this detective thriller has received so many positive reviews from film scholars. Now I know why and couldn't agree more. This is one of the early talkies that deserves very high recommendation.
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